The New Rock Generation - May 2026
May's edition of The New Rock Generation is here.
Featuring The Dambuilders, The Feral Kids, Las Robertas, Bloodshots, Cinema Stereo, Strange Plants, Mr. Dinkles, The Roost, Pleasure Pill, The Mosfets, ELIKSA, The Get Alongs, ARH, Favourite Dealer, MISSOULA, King Falcon, The Deep Hour, MOONRIIVR, The Dharma Chain, and Deardarkhead
The New Rock Generation - Alternative / Indie / Garage
Send your submissions to <info+rock.submissions@musicngear.com>
The Dambuilders - Shrine 2026
Hearing The Dambuilders again after all this time feels strangely intimate, like picking up a conversation mid-sentence. "I light a candle to the shrine - call it rock and roll" hits harder now, carrying years of distance and memory in it. The updated version keeps that emotional pull intact while letting the past and present blur in a really touching way.
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The Feral Kids - No Wall
That opening siren isn't subtle and it shouldn't be. No Wall goes straight for the throat with sharp riffs and a restless energy that mirrors its frustration with surface-level living. For a debut, this feels confident and loud in all the right ways, like a band that's already outgrown the idea of playing it safe.
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Las Robertas - Everything I Wanted to Be
"You are everything I wanted to be" lands with a sincerity that sticks. Las Robertas lean into love as something that grows and reshapes you over time, and it feels honest rather than idealized. A beautiful first look at All We Need Is Now (out June 26, 2026), setting a thoughtful tone for what's coming.
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The Bloodshots - Gettin' Around
This one stings a bit. "I've been gettin' around, I've been making some waves" comes off less like a brag and more like a tired, frustrated echo of accusations thrown too many times. You can feel that cycle of defending yourself baked into the song. It's messy, a little bitter, and very real.
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Cinema Stereo - Lean On You
Lean On You has that loose, classic rock feel that clicks without trying too hard, especially once it opens up into those bigger choruses. Knowing it came out of a stuck moment makes it even better; it feels immediate, like the words just needed a way out. A promising step as they gear up for their European tour this October.
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Strange Plants - Ground Falls Away
The groove here never sits still. It keeps nudging forward, like it's refusing to let you breathe for too long. That idea of life catching up if you slow down comes through clearly, especially in how the rhythm pushes and pulls underneath everything. By the time the instrumental section takes over, it says plenty without needing more words.
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Mr. Dinkles - Letter to Elon
Photo credit: Rick Perez/Good Time Rick
Instead of pointing fingers, this track zooms out and asks a bigger question about where we're heading. It's less about one person and more about that uneasy feeling of connection getting lost somewhere between ambition and screens. The message is simple but hits home: choose people over everything else.
Connect with Mr. Dinkles
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The Roost - Miss You Every Day
"You slam the door...you speak in codes I'll never know" sets the tone immediately. This is what it sounds like when communication breaks down, but the feeling doesn't. The chorus, "I just can't stand losing you...every day" carries that slow, ongoing hurt rather than a clean break.
A strong preview of Black Mountain (out May 22, 2026).
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Pleasure Pill - Is It Me?
"Your brain is feeling foggy today" immediately drops you into that wired, restless headspace the song never fully escapes. Pleasure Pill balance hazy psych textures with something more anxious underneath, like wandering through a city too caffeinated to slow down. One of the standout moments from their new EP ALIVE - messy in feeling, but incredibly dialed in sonically.
Connect with Pleasure Pill
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The Mosfets - Radio, Turn Me On
From the fake-out Bossa Nova intro to the fuzzed-out sprint that follows, Radio, Turn Me On feels sweaty, chaotic, and built to soundtrack a night that's already gone off track. The humor in lines like "she just happened to turn me on" keeps it playful without losing the punch. A wild preview of their self-titled EP, out May 29, 2026.
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ELIKSA - Never Enough
Never Enough feels delicate without falling apart. ELIKSA keeps the arrangement sparse and intimate, letting the emotion sit quietly instead of forcing it bigger than it needs to be. You can almost picture the empty barn space around the performance, which makes the whole thing feel even more personal ahead of ELIKSA. From Falmer Court arriving May 22.
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The Get Alongs - Come On
Even without the whole lollipop gimmick, Come On would still land. The guitars have that late-night, slightly worn glow to them, the kind of song that feels made for sticky bar floors and long walks home after last call. A strong first taste of Second To None (out June 19, 2026), with enough looseness to breathe but plenty of bite underneath it.
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ARH - Granita
Granita feels like being thrown into motion and told to keep up. ARH shift between tight precision and total impact so naturally that the chaos never loses its groove, even at its most technical. Taken from the reissue of their debut album, the track works like a blueprint for everything the band does best; dense, physical, and impossible to sit still through.
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Favourite Dealer - Freak Show
Freak Show feels claustrophobic in the best way, like the walls are slowly closing in while the band keeps turning the volume up. The tension between chaos and control works really well here, especially with the whole "being watched while falling apart" feeling running through it. Filming the video inside Curitiba's bus tubes somehow makes the song feel even more unsettling.
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MISSOULA - Crimson
No vocals, no distractions, just two musicians completely locked into each other's instincts. Crimson moves more like a film score than a standard rock track, shifting between tension and release without ever losing momentum. A powerful introduction to Death Doula (out June 26), and proof that restraint can hit just as hard as excess.
Connect with MISSOULA
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King Falcon - Wait
Photo credit: Xander Strohm
"Wait / 'Cause it’s not too late" carries the desperation of someone realizing apologies don't automatically fix damage already done. King Falcon wrap that regret in huge riffs and pounding drums without sanding down the emotion underneath it. The mix of vintage rock grit and modern urgency really clicks here, especially when the chorus fully opens up.
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The Deep Hour - These Are My Streets
"This is where I come from" runs through every second of this song, even when it's not being said outright. The Deep Hour turn memories of home into something uplifting instead of overly sentimental, and that warmth really carries it. You can feel the pride, the history, and the comfort of returning to streets that still recognize you.
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MOONRIIVR - Force of Habit
Photo credit: Heather Saitz
"It's hard getting out of bed when your life's been wrapped in plastic" is such a striking opening line for a song that slowly unravels into release. MOONRIIVR balance bright, almost breezy instrumentation with something heavier sitting underneath it, and that tension gives the track real emotional weight.
By the noisy final stretch, it feels less like falling apart and more like finally letting go.
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The Dharma Chain - Inside A New
Inside A New drifts and spirals in a way that feels hypnotic without losing direction. The Dharma Chain lean deeper into atmosphere, but the emotional core stays grounded in that idea of accepting what can’t be changed and moving through it anyway. The steady female vocal cutting through all the swirling guitars is what really holds the whole thing together.
Connect with The Dharma Chain
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Deardarkhead - Letting Go
Even without lyrics, Letting Go says exactly what it needs to. The soaring guitars and melodic bass lines carry this feeling of movement forward, like slowly stepping out of an older version of yourself without looking back too much. A beautiful first glimpse into The Pendulum Swings (out July 10), and proof that instrumental music can hit just as emotionally as any vocal track.
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Spotify Playlist
About Eugenia Roditis
Eugenia's passion for music was ignited from an early age as she grew up in a family of musicians. She loves attending concerts and festivals, while constantly seeking fresh and exciting new artists across diverse genres. Eugenia joined the MusicnGear team in 2012.
Contact Eugenia Roditis at eugenia.roditis@kinkl.com
In this blog section we host new music releases, artist features and handpicked playlists by the Musicngear staff.
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