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2 reviews from our community
Please note that the following reviews have not yet been verified for authenticity
"No complaints here. Precisely as..."
No complaints here. Precisely as depicted, well made and overall good buy.
"It is what it is. Very good, I..."
It is what it is. Very good, I recommend it.
1 reasons why people want to buy it
Actual feedback of people who want to buy Mojotone Quiet Coil NC-2
- "I heard it gives a true acoustic sound"A 45-54 y.o. male fan of The Byrds from United Kingdom
People that took the "IS IT GOOD FOR ME?" test said they wanted to buy Mojotone Quiet Coil NC-2 for the above reason. Their opinion is based on their own independent research and should help in your own purchase decision.
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Verwandte Bewertungen
We recommend the following related gear as Mojotone Quiet Coil NC-2 is not so popular with our community
"A compact, versatile soundhole pickup that blends magnetic string clarity with a touch of body mic for a believable amplified acoustic tone."
Review of Harley Benton TrueTone SH-30 Pro Active
I’m primarily an acoustic player who spends time busking, recording at home, and doing small club gigs, so I needed a pickup that was quick to fit, adjustable on the fly, and honest-sounding when run through an amp or DI. The TrueTone SH-30 Pro Active is that kind of tool - a small active soundhole unit that combines a magnetic element with a built-in microphone and front-mounted controls so I can dial in balance without messing with EQ boxes or onboard preamps.
First Impressions
The unit arrived in a modest retail box and the pickup itself is a neat, no-frills block that drops straight into a standard soundhole; the fit was snug in my dreadnought and the 6.35 mm lead is short but solid-feeling. Right away I appreciated the accessible thumbwheel-style controls on the bottom for master volume and mic blend - they’re easy to reach and let me shape the acoustic body presence without having to touch my amp.
Design & Features
The SH-30 Pro is an active soundhole pickup that combines a magnetic single-coil-style string pickup with a tiny onboard microphone to capture body resonance, and the whole assembly is powered by two CR2032 batteries mounted in the housing. It’s compact - roughly 107 x 34.5 x 19.5 mm - and ships with a short 70 cm cable terminating in a 6.35 mm jack, so you’ll usually have a short lead hanging out of the soundhole unless you route it through a preinstalled endpin jack. The active electronics are designed to be noise-reduced, and the bottom-mounted knobs give you a simple volume and mic/blend control rather than a full parametric preamp.
Installation & Usability
Installation is the kind of thing I value - no drilling, no soldering, and only a couple of minutes of fiddling to get the pickup stable in the hole. On my dreadnought I simply relaxed the strings slightly, dropped the unit in, and tightened enough so it sat flush; the short cable and thick jack do mean there’s a little weight dangling from the soundhole but I use a small safety loop around the strap button when playing amplified. Changing batteries is straightforward thanks to a dedicated compartment, and those CR2032s have lasted me several long sessions before I felt the need to swap them.
Playability & Sound
Sonically the SH-30 Pro gives you the magnetic-string snap you expect from a soundhole pickup, with the onboard mic adding warmth and the upper-mid presence that makes an acoustic sit forward in a mix. In practice I run the magnetic element as the foundation and add mic to taste - the mic is great for giving body to fingerstyle or soft strummed dynamics, but it also introduces the usual live-stage caveats: get too much mic and you’ll invite feedback. Through a small acoustic amp and when DI’d to my interface the pickup surprised me by sounding natural enough that I didn’t reach for heavy EQ or a convolution reverb to restore body.
Real-World Experience
I used the SH-30 Pro on the same guitar across busking sessions, a couple of small gigs, and home recordings. It handled ensemble settings well - the magnetic element cut through the band and the mic added a believable top-end sparkle when I opened it up for solos. I did notice a sensitivity to nearby fluorescent lighting and computer equipment in some busking locations - the single-coil element can pick up mains hum if you’re right next to strip lighting or a powered display, so I moved my amp and position slightly and dialed mic back to reduce that noise. Feedback was manageable by lowering mic blend and keeping my amp off-axis from the guitar body when on stage.
The Trade-Offs
This is not a full preamp replacement - there’s no onboard EQ or notch control, and the short cable means you’ll either accept an exposed lead or have to install an endpin jack for a clean route. The single-coil nature of the magnetic element makes it sensitive to electromagnetic interference in certain environments, and the mic - while useful - will increase feedback risk in close-amplification situations. For the price and form factor, however, those are expected compromises and I found them manageable with basic stage technique.
Final Verdict
For gigging acoustic players who want a quick, affordable way to amplify a steel-string guitar without permanent modification, the TrueTone SH-30 Pro Active is an excellent option - easy to install, battery-efficient, and sonically flexible thanks to the magnetic-plus-mic blend. If you need absolute studio-grade silence or a built-in EQ suite, you’ll want a higher-end preamp, but for a compact, value-oriented soundhole pickup that yields very usable live and recording tones, I’d recommend it.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Will this fit my standard dreadnought soundhole?
- Yes - I fitted it in a standard dreadnought soundhole without modification and it sat securely with the factory-fit size.
- Do I need to drill an endpin jack to use this?
- Not necessarily - you can run the short cable out of the soundhole and plug it straight into an amp, but I prefer an endpin jack for gigging tidiness.
- How long do the batteries last in real use?
- In my experience two CR2032 cells lasted through many rehearsals and multiple gigs before showing signs of weakening; I treated them as long-life and not a daily swap item.
- Does it work on nylon-string guitars?
- I only tested it on steel-string guitars - the magnetic element needs steel strings, so it’s not suitable for nylon-string instruments.
- Is there a lot of hum or noise?
- I heard mains hum in certain environments when the mic or the magnetic element was near strip lighting or computers, but moving my amp/position and reducing mic blend fixed it quickly.
- Can I use the mic and pickup independently?
- Yes - the SH-30 Pro’s controls let you blend or use either element more prominently, which is handy for tailoring tone between fingerstyle and strumming.
"A straightforward, low-noise magnetic soundhole pickup that gives steel-string acoustics a warm, stage-ready voice with minimal fuss."
Review of DiMarzio Virtual Acoustic DP 138
I’ve been using the DiMarzio Virtual Acoustic DP 138 in a couple of my steel-string guitars for rehearsals and small gigs, and it’s become my go-to quick solution when I need a reliable acoustic signal without complicated installations. I was after something that captured the guitar’s top-end clarity and body presence while rejecting stage hum and handling sane onstage volumes - that’s very much why I reached for this pickup.
First Impressions
Right out of the box the DP 138 feels solid and well built - it’s a compact magnetic humbucking element with a foam-insulated mounting bracket that makes soundhole fitting painless. Installing it into the soundhole was quick and non-destructive, and the visible 12 adjustable pole pieces suggested I’d be able to balance string output precisely, which I appreciated before even plugging into a preamp. The onboard volume wheel seemed small but is usefully integrated with a compensated tone network so volume changes don’t wreck the tone at lower settings.
Design & Features
The Virtual Acoustic is essentially a passive, ceramic-magnet magnetic humbucker designed for soundhole mounting - it comes with foam mounting brackets that you can trim for tighter soundholes and a single-conductor quick-connect wiring scheme. Twelve adjustable pole pieces let me dial string-to-string balance, and the little integrated volume control with the compensated tone network is useful for quick on-the-fly level tweaks without killing the character of the guitar. The cable length puts reasonable reach between guitar and amp or pedalboard, and the overall fit-and-finish was what I expect from a mainstream DiMarzio product.
Installation & Setup
Installation was fast - I popped the foam bracket into the soundhole and slid the pickup into position, trimmed a little foam where needed, and ran the cable to a small preamp on my pedalboard. Fine-tuning the 12 pole screws took a little patience but paid off: I was able to reduce a slightly thin low E on one guitar and smooth an over-bright B string on another. Because it’s passive, I did find I wanted a simple preamp or DI with EQ for gigging to add presence or tame stage boomy lows, but for rehearsals plugged into my acoustic amp it was ready to play in minutes.
Sound & Performance
Tonally the DP 138 leans warm and open rather than hyper-detailed - it captures string attack and midrange body nicely, so fingerpicking and light strumming both translate well through my amp. It’s not a microphone or a piezo-forced body image, so you shouldn’t expect to reproduce the room ambience or complex top resonance exactly, but on stage I found the pickup’s low noise floor and hum-cancelling behavior to be invaluable. With a modest preamp EQ I could pull back some boxiness or add sparkle without digging into unnatural frequency boosts. String noise and pick clicks are modest; I still hear them if I play aggressively, but they’re not a deal-breaker.
Real-World Experience
I used the DP 138 for several rehearsals and a few low-volume gig situations and it behaved predictably - no sudden feedback surprises and the signal sat well in the mix. When I wanted more “acoustic room” I layered a touch of reverb from the amp and the result was convincing for live work; when I needed a dryer, punchier sound I cut some lows on my DI and the pickup responded cleanly. One practical note - because the pickup covers a fairly wide area of the soundhole, I occasionally bumped it with my thumb while adjusting technique, so it did change my picking hand awareness slightly until I adapted.
The Trade-Offs
The DP 138 isn’t a substitution for a top-mounted piezo or internal microphone if you want the complete natural body and room sound of a high-end electro-acoustic system. It also needs a little EQ help on some guitars to shine, and while noise rejection is excellent for a magnetic pickup, you do lose a bit of the “live” ambience that a mic would capture. Finally, the pickup’s width means players with aggressive thumb technique may need a short adjustment period to avoid contact noise.
Final Verdict
The Virtual Acoustic DP 138 is a very capable, simple-to-install magnetic soundhole pickup that delivers warm, stage-friendly acoustic tone with superb hum rejection for its class. I’d recommend it to gigging acoustic players who want a robust, non-invasive way to amplify a steel-string guitar quickly - especially if you pair it with a small preamp or DI for tone shaping. If you need full-bodied studio acoustic realism, supplement it with a mic or piezo system, but as a practical stage tool it’s hard to beat for the price and convenience.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Will this pickup fit my small soundhole 00-style guitar?
- I was able to trim the foam mounting bracket to fit a tighter soundhole, and the pickup sat securely once adjusted; it’s designed for that kind of small modification.
- Does the onboard volume affect tone badly?
- In my experience the compensated tone network does a good job of keeping the character intact when I rolled the volume back, so it’s useful for quick level cuts onstage.
- Do I need a preamp to get a good sound?
- I prefer using a small preamp or DI with basic EQ for gigging - it lets me dial presence and tame boomy lows that vary between guitars.
- How noisy is it on stage - any hum or feedback issues?
- I found the hum rejection to be excellent and had no notable ground-hum problems during rehearsals, and feedback was manageable with sensible amp placement.
- Will it change my playing feel?
- Because it sits across a wide part of the soundhole, I noticed my thumb occasionally brushing it until I adjusted my attack, but that was a quick adaptation.
- Is this pickup active or passive?
- The DP 138 is passive - it’s a ceramic-magnet magnetic humbucker and doesn’t require batteries.
- Can I remove it without modifying the guitar?
- Yes - the soundhole foam mount and quick-connect wiring mean I removed it several times without any permanent changes to the guitar.
"A small, vintage-voiced soundhole magnetic that turns an acoustic into a gritty, playable electric-acoustic with minimal fuss."
Review of Gretsch Deltoluxe Pickup
I spent several weeks with the Gretsch Deltoluxe soundhole pickup mounted in a parlor and then a dreadnought to see how it would hold up for porch blues, slide work, and small-venue gigs. My goal was simple - get a plug-in solution that kept the guitar feeling and responding like an acoustic while adding a retro, mid-forward character without the typical piezo quack.
First Impressions
The Deltoluxe arrives as a compact, chrome-and-tortoiseshell soundhole unit with a neat hardwired lead and an endpin jack - it looks like a vintage DeArmond homage and feels built for purpose. Right away I noticed its weight and finish are solid for the price, and the single-coil Alnico V poles promised a bright, gritty voice that I was keen to try through a small tube combo and a clean PA chain.
Design & Features
The pickup is a passive, single-coil soundhole unit with Alnico V magnets and a hardwired internal cable terminating in an endpin jack - the spec sheet also lists a DCR of 14.6k and an inductance around 8.0 Henries. Its compact footprint fits most soundholes and Gretsch uses this same Deltoluxe module in several Jim Dandy models, so it’s clearly intended as a simple, period-styled amplification option rather than a high-end, multi-voice system.
Installation & Fit
Installation is as straightforward as soundhole pickups get - slot it in, tuck the cable, and fit the endpin jack; if you don’t already have an endpin jack you’ll need a small drill or a tech to open the strap-pin hole. I swapped it between guitars several times and it seated well in both a 3.9 inch parlor hole and a larger dreadnought hole, though on the dread I preferred to use a foam or rubber spacer so the pickup didn’t shift under heavier picking.
Sound & Tone
Plugged into a small tube combo the Deltoluxe delivers a warm, slightly mid-forward tone that really shines for Delta-style blues, slide, and voiced, pedal-driven textures - it’s gritty without sounding thin. Compared to undersaddle piezos it retained string character and attack without the brittle 'quack', but it isn’t a transparent studio mic replacement; it colors the sound in a way I found musical and useful, especially when I wanted the guitar to cut through a mix of other instruments.
Real-World Experience
I used the Deltoluxe at home, in rehearsal, and on a short cafe gig - on the small stage it added presence and grit that made simple fingerpicked arrangements sit nicely with a cajon and nylon-string banjo. Through pedals the pickup responded well to light overdrive and reverb, and the vintage aesthetic looked great under stage lighting; the one caveat was occasional single-coil hum in front of some fluorescent fixtures, which I noticed once at the cafe and was able to manage by moving my amp and using the PA’s DI instead.
The Trade-Offs
If you want a perfectly natural, studio-grade acoustic tone this isn’t the device - it’s voiced toward vintage electric-acoustic character, so expect added midrange and grit. Large-bodied guitars can sound a bit woolly with it unless you compensate in the amp or PA, and the single-coil design makes it mildly more susceptible to mains hum than humbucking magnetic options.
Final Verdict
The Gretsch Deltoluxe is a charming, affordable soundhole pickup for players who want a vintage-tinged amplified acoustic voice with minimal installation fuss - it’s ideal for blues players, slide aficionados, and anyone who wants to run their acoustic into an amp or pedalboard without chasing a perfectly natural mic sound. It’s not a cure-all for studio work or large-jumbo guitars, but for small-venue performance and creative electric-acoustic tones I’d recommend it as a fun and dependable option.
by Musicngear Verified Community ReviewsHelpful Tips & Answers
- Will this fit my guitar’s soundhole?
- In my experience it fits most standard acoustic soundholes - I tested it in a small parlor and a dreadnought and both accepted it, though a small rubber spacer helps on larger holes.
- Do I need to drill a hole for the endpin jack?
- I used an existing endpin on one guitar and drilled a small hole on another - you do need an endpin jack for the hardwired cable unless you run the cable out temporarily through the soundhole.
- How does it compare to a piezo pickup?
- It’s much less 'quacky' and retains a grittier, more electric-like character - I preferred it for blues and pedal-driven sounds, but not for pristine acoustic mic-like tones.
- Is it noisy or hum-prone?
- I noticed occasional single-coil hum in one venue under fluorescent lights, but routing the DI and moving my amp solved it; in quieter setups it was largely unobtrusive.
- Can I use it with pedals and overdrive?
- Absolutely - it responds well to pedals and light overdrive and takes effects in a very musical way, which is part of what sold me on it for gigs.